Shigatsu Wa Kimi No Uso Vostfr
Synopsis Music accompanies the path of the human metronome, the prodigious pianist Kousei Arima. But after the passing of his mother, Saki Arima, Kousei falls into a downward spiral, rendering him unable to hear the sound of his own piano. Two years later, Kousei still avoids the piano, leaving behind his admirers and rivals, and lives a colorless life alongside his friends Tsubaki Sawabe and Ryouta Watari. However, everything changes when he meets a beautiful violinist, Kaori Miyazono, who stirs up his world and sets him on a journey to face music again. Based on the manga series of the same name, Shigatsu wa Kimi no Uso approaches the story of Kousei's recovery as he discovers that music is more than playing each note perfectly, and a single melody can bring in the fresh spring air of April.
Written by MAL Rewrite. Overall 9 Story 9 Animation 9 Sound 10 Character 10 Enjoyment 9 Hers was a white lie built on a grain of truth that snowballed as one lie after the other piled up. At first it was only hers, but then it became something that the two of them shared together – like a secret, a world upon which no other could encroach. He may have been “Friend A,” and she “the girl that loves my best friend,” but they were masquerading around a truth that neither one could openly admit because ultimately, the truth was much more painful. Your Lie in April is a deceitfully masterful series that initially appears light-hearted and colorful, its palette boasting pastels that lend to the idea of it being another romantic comedy.
Sep 26, 2016 Shigatsu wa kimi no uso 02 vostfr. Shigatsu wa Kimi no Uso (Your Lie in April) OST - Disc 1 [Marathon] by thenisekoimusic. Language: English. Looking for information on the anime Shigatsu wa Kimi no Uso (Your Lie in April)? Find out more with MyAnimeList, the world's most active online anime and manga.
Yet the moment we step past the disillusionment that it casts upon us by its false prefaces, we quickly realize that what we have immersed ourselves in is actually a tragedy in the making. Tragic not because of a single element but because of all of its parts, and yet at the end of everything, this isn’t a series about tragedy. It is a series about learning to heal, learning to move on, and learning to accept the parts of ourselves that we’d rather pretend aren’t there. Part of that is accepting that sometimes we need a helping hand to take that first step.
Part of it is learning to say goodbye when the time comes. What is so compelling about the storyline is that it’s not merely an adventure into first love, it delves into the reality of post-traumatic stress disorder, childhood abuse, and chronic illness. It doesn’t paint any of these as artistic or tragically beautiful—they are horrible, they twist people, they ruin the best moments, and they have a long-lasting impact. No one is completely black-and-white; everyone has their short-comings, fleshed out in full before our eyes. They have their hang-ups, their strengths, their struggles—and it’s in these characters that this series really takes off in full stride. It would be enough for them to be multifaceted with equal amounts of depth, but they take it a step further in painting the reality of youth. Older anime fans may critically analyze the series as an unrealistic approach to young teenagers, but that pessimism overlooks the reality of what it was like for us to be that age.
We were all that point when we found our first love, when we thought it was forever, when we poured our passion into something that ultimately would not come to fruition or last. That’s what being young is about—and that’s what Your Lie in April gives us. Granted that it may veer a bit over-dramatic at times in its representation of youth; there are moments of symbolism or hyperbole so overt that the cheesiness makes you shift a little uncomfortably in your seat (but I promise it’s not enough to gag you). Given that this is, however, a rather common trope that runs in series with heavier themes, it’s not necessarily a huge setback for an otherwise solid series. In the end, it is intended to be a fictional representation that conveys more than just what can be summarized in a few sentences or less.
The sound is completely on point, and the soundtrack artfully matches the emotions intended to be represented in each scene. From the actual classical music to the opening and ending, everything fits in like a jigsaw puzzle to give a full, satisfying final piece. When the characters analyze someone’s playing as harsh, rigid, and stilted, we can hear this—whether we are knowledgeable about music or not.
Your Lie in April conveys emotion to us not just visually but aurally as well. The animation is wonderful with bright, vibrant colors that bring the characters fully to life. There is an amazing, visually perceivable transition for the characters as time passes, particularly in regards to Kaori as the series moves on. It occasionally has some stilted moments but nothing outrageously noticeable to detract from the overall quality.
Ultimately, Your Lie in April is a story that starts out of the gates moving a bit slowly, but the pace matches the tone of the series. Structurally, it is a solid story of youth that dramatizes some aspects but never distracts from the intended message. On top of its other strong points, it’s aurally and visually a joy to the senses – and to anyone appreciative of a series willing to realistically approach the conflict of childhood abuse and the resulting trauma in a positive way. It’s not without a few setbacks, but in the end, Your Lie in April fashions itself to be a stand-out romance series that reminds us that while some relationships may be transient and brief, some people will come into our lives at just the right time for just long enough to touch us in a way we never thought possible. Overall 6 Story 4 Animation 8 Sound 9 Character 6 Enjoyment 7 There are mainly only two sides to the debate on this show - those that absolutely love it, and those that strongly dislike it.
Is there an abundance of melodrama? Does this show try too hard at some points? Sure it does. Does that mean that this show is bad? Download program de facut muzica.
Not necessarily. This show is neither the best thing ever, as some people seem to be saying, but it's not the worst either. Basically, what I'm about to do is help find some middle ground between the two viewpoints. Tl;dr at the bottom for those that don't want to read a wall of text, but I still strongly encourage you to do so.
Story - 4/10 Kousei Arima was a prodigy at playing the piano. He dominated every competition on a regular basis by playing the music perfectly as it was intended by the composer. He was so dominant to the point where he became famous among child and adult musicians alike. However, after the death of his mother (who was also his instructor), he was unable to cope with it and eventually lost the ability to hear the piano. He then quit shortly after. For the next couple of years, the world around him became dull and lifeless aside from a couple of his friends, until he met this extremely cheerful violinist, Kaori Miyazono. She revealed to him a side and style of music he never knew existed, and eventually convinced him to give the piano another shot.
The premise doesn't sound too bad. In fact, the way it handles the romance plot is pretty unique. It isn't just simply your typical boy meets girl and then they eventually confess, blah blah; there's a lot more to it than that. It focuses more on Kousei's development as a result of Kaori's carefree happy-go-lucky personality. The story is told primarily in Kousei's point of view, and likewise the plot revolves somewhat around him.
Other characters do get screen time as well, though, and occasionally we do hear their take on things too. A big thing that really makes the story stand out (in the first half, particularly) is how it portrays the music.
Why do we play music? Who are you playing for? What message are you trying to convey? Music isn't just there to pleasure your ears, it's used as a tool to speak from the heart. Who you are as a person, what you've gone through, and what you strive for are all expressed in how you play music.
Kaori
The notes may be the same, but the feel of the song can vastly vary with the way people play it. In other words, you take the music and make it your own. In doing that, you can really make the music have an impact on the audience. This kind of message opened up a new side of classical music (and just music in general) that I really didn't think about initially, and I don't mean that in a half-assed way. So with all these positives in place, you may be wondering how in the world could I only give this section a 4. Well, just as there was a lot of good, there was a lot of flaws, particularly in the execution of the plot. It's alright to have it in moderation, but in this show, it was taken to a whole other level.
Almost every episode contains at least one overreaction to an event, almost to the point where it became hard to really feel the feels you were supposed to in the particular scene. Now, there were some instances where this was properly used and was actually beneficial to the plot, but more often than not, I found myself cringing and unable to relate to the character(s) at all. The pacing of this show was all over the place, but generally speaking, it was so slow to the point where it felt like it was beating a dead horse. Literally, I could look up the word 'monologuing' in the dictionary and find the cover art of YLIA. Episode after episode, there was an absurd amount of redundant repetition, almost to the point where it became laughable. To be fair, the show did attempt to at least bring up a couple of little side plots every now and then, but in the end, they were mostly pointless and had no connection to the overarching plot.
Lastly, there's the comedy. Quality of comedy in general is unquestionably subjective, but personally, I found a good deal of it funny. My gripe with it is that it was terribly misplaced.
You're in the middle of this deep, sad scene, and then all of a sudden you're slapped in the face with comedic relief that doesn't fit the scene at all. To put it bluntly, it kills the mood. The story had a LOT of potential. I, like many others, was hooked at the beginning, but found it harder to watch as the show goes on. It really makes me wish that this was a 12 episode anime instead. Art/Animation - 8/10 The art in this show fits the feel of it really well. The characters designs are rather unique; they each all have full lips rather than a simple line like you see in almost every anime nowadays, and it's little subtleties like this that adds a sense of realism to the show.
The brightness of the setting also appropriately fits each situation. It's colorful and bright when things are more lively, dark and dull when things are more depressing, you get the idea. The actual art itself is very good-looking too.
Animation was pretty solid and up to par with today's standards, but occasionally it can be less than stellar. Sound - 9/10 Now, I'm not a fan of classical music at all.
I don't necessarily hate it, it's just not my bread and butter, but I've started to open up to it a lot more than I originally was. The BGM is nice and really adds to the emotions that the specific scene is trying to convey. The solo performances are especially good for reasons already explained.
I'm also a personal fan of the OPs and EDs, both of which suit the show well. Not much else to say here, really. It's just solid.
Character - 6/10 As a romance and drama, the characters really are the backbone of the entire show. With the slower pacing, the characters get added depth, which is critical for a show like this to do. I must say, it did a damn good job in that aspect. Many characters had their own backstory (although a lot of them did start out bland), and there aren't many one-dimensional characters that get major screen time. Most importantly, they're all likable in their own way. Something I felt was important is the development of Kousei. Being the main character and all, he's pretty much got to be the best developed character of the show.
Thankfully, he is. He starts out as this mopey, depressing, and generally dull kid, but gradually develops into something much more. After losing his mother, he really had no reason to play music. All he ever knew was to play it perfectly as the composer intended, and for the purpose of pleasing his mom. Her unique style of playing opened up Kousei's eyes in a big way, and inspired him to take up music again. His journey together with Kaori and friends has been helping him break out of his shell, and his development bit by bit was superb. Again, with so much good, why give it such a mediocre score?
Shigatsu Wa Kimi No Uso 02 Vostfr
I touched upon this earlier, but many of the side characters were pointless. Their development overall pretty much served no purpose. Instead of adding to the story, their screen time swayed away from the main plotline, which is not how it's supposed to work. Yes, it's cool to hear someone else's story every now and then, but not when it distracts the audience from what's really important. Another thing - Kaori. This is kind of tied into the pacing, which I also touched upon earlier. She never really received significant development until the very end of the show.
Up until that point, she's nothing but a mere plot device used to stir up drama. For the duration of 21 episodes, she was just a cute girl that's meant to be likable and appeal to the audience, but with no depth whatsoever.
It would have helped substantially to show her insight on the status quo as the show went on. Enjoyment - 7/10 With all that's been said, I enjoyed this anime. It had it's ups, it's definitely had it's downs, but even with all that went wrong, I thoroughly enjoyed it. I felt a strong connection with Arima and Kaori's relationship, which at the end of the day, is what's most important for this show to do. In the last several episodes especially, feels were definitely felt.
Unfortunately, personal enjoyment is not a direct indicative of how good a show is. Overall - 6/10 In my opinion, this anime doesn't deserve to be rated as high as it is. Again, I'll repeat: I did NOT think this anime was bad at all. In my book, a 6 is right around average. But to be rated #13 overall at the time this review was written? It's pretty undeserving with all the glaring issues that are present throughout. I'll try to sum it up as simply as I can: for more intellectual viewers, stay clear.
The mannerisms and actions that some characters take in this show can be mind-boggling and potentially frustrating at times, and the plot is painfully stretched out. For more casual viewers just looking to rack up the feels, this is definitely worth a look.
If there's one thing this anime excels at, it's just that. Tl;dr Story: +Unique style of romance +Opened up my eyes when it comes to classical music +Pretty funny comedy every now and then −Comedy is terribly misplaced −Pacing was all over the place, but generally speaking, it was way too slow −Monologuing to the point of beating a dead horse Art: +Background/scenery is really nice +Art fits the mood well +/−The animation is average, up to par with today's standards. Overall 10 Story 9 Animation 8 Sound 10 Character 8 Enjoyment 10 'Did I reach you? I hope I did.' I nearly skipped this gem just because of the music tag. Not really big into music anime but somehow the art dragged me into watching the first few episodes.
First episode was an average episode with few interesting plot lines. But the second episode was the hook. The tag that made me nearly skip this anime was the one that kept me in it. The music, the music. What can I say? It was just right down my taste. Never in my life did I thought of 'oh hey let's listen to some classical music' but this anime opened a new taste in music in me.
And I'm grateful for that. The first half and second half have clear differences with a very smooth pacing and objectives in mind. Some may say the pacing was slow and sometimes it felt that a point is being dragged out for long. As much as I understand where they are coming from, I feel that this series took the right amount of time to build up for the many impact full moments that is present. The inner monologues that the series loves to do felt right to display the conflicts that our characters are fighting with. Also, the conflicts dealt with are very realistic and people can very much relate to them.
I happen to be one of them being able to relate to our main male protagonist. The cast of characters in this show is pretty high. As a 22 episode anime, I think it did an excellent job portraying those characters. As most animes, not all the characters were fully fleshed out, and I didn't expect it to do so.
Your Lie In April Wiki
The ones that mattered most were developed beautifully. Besides, nearly everyone's thought process were clear, motivations/purpose in tact and passion which shone through.
Sound is something that I will not even talk about since it is subjective. The main reason, however, that I will not dive deeper is because for me, it was perfect. I couldn't have asked for anything more.
Animation wise. Throughout the whole series, it was standard stuff from A-1 Pictures. It did have some drop from time to time, especially during the comedy segments, which I didn't find distracting but it wasn't great to say the least. Animation stood out where it counts. Those performances. I would have been really been disappointed if the animation was average in those moments, because of how beautiful the soundtracks are. But A-1 delivered, and they both complimented each other outstandingly.
By the end of the series, I was just left in awe, and honestly a bit (extremely) emotional. To compare, the 'feels' in this series (my opinion) surpasses the highly praised Clannad: After Story for one simple reason. I was just slightly more attached to the relationship our main characters shared than I was with Clannad. But the story is not about tragedy. It's about inspiration, passion, moving forward, family, friendship, helping each other (many more).
It is about life and how hard it can be to carry on, but you still gotta do it. You still gotta live your life to your fullest. 'If you can't move with your hands then play with your feet! If you don't have enough fingers, then use your nose as well!
Whether you're sad, you're a mess, or you've hit rock bottom, you still have to play! That's how people like us survive.' - Kaori Miyazono.
Overall 9.4/10.